The Gupta Empire was one of the largest political and military empires in ancient India. It was ruled by the Gupta dynasty from around 320 to 550 CE and covered most of northern India.
The origins of the Guptas are shrouded in obscurity. The Chinese traveller I-tsing provides the first evidence of the Gupta kingdom in Magadha. He came to India in 672 CE and heard of 'Maharaja Sri-Gupta' who built a temple for Chinese pilgrims near Mrigasikhavana. I-tsing gives the date for this event merely as '500 years before'. This does not match with other sources and hence we can assume that I-tsing's computation was a mere guess.
The most likely date for the reign of Sri-Gupta is c. 240-280 CE His successor Ghatotkacha ruled probably from c. 280-319 CE In contrast to his successor, he is also referred to in inscriptions as 'Maharaja' .
At the beginning of the 4th century the Guptas established and ruled a few small Hindu kingdoms in Magadha and around modern-day Uttar Pradesh.
The Guptas ascendant
The Gupta dynasty ruled India north of the Vindhya Range during the 4th and 5th centuries. Though not as vast as Mauryan empire, The Gupta era left a deep and wide cultural impact not only in the subcontinent but on the adjacent Asian countries as well. We get plenty of information about this illustrious dynasty through coins, inscriptions, monuments and Sanskrit classics.
The Gupta rulers were great conquerors and good administrators. They checked the infiltration of foreign tribes like Sakas and Hunas and established political stability. Economic prosperity followed and led to cultural expansion.
Sanskrit language and literature were reached its peak during the Gupta era. Poets Kalidasa, Dandi, Visakhadatta, Shudraka, and Bharavi all belong to this period. Many puranas and shastras were composed and famous commentaries on sacred works appeared. Buddhist and Jain literature, which was produced earlier in Pali, Ardhamagadhi and other Prakrit languages, began to appear in Sanskrit. The practice of dedicating temples to different deities came into vogue followed by fine artistic temple architecture and sculpture. Of the twenty-eight Ajanta caves, most of them were constructed during this period. Gupta inscriptions, some of them on "victory pillars" provide first hand information not only about royalty but society in general.
Books on medicine, veterinary science, mathematics, astronomy and astrophysics were written. The famous Aryabhata and Varahamihira belong to this age. Overseas trade and commerce flourished. Hindu and Buddhist mythology, architecture, along with religion took root in Burma, Cambodia, Thailand, Indonesia and other countries. The Chinese monk Lui Kang who was in India and Sri Lanka between 399 and 414 noticed general prosperity and peace-loving nature of the people.
This period is regarded as the golden age of Indian culture. The high points of this cultural creativity are magnificent and creative architecture, sculpture, and painting. The wall-paintings of Ajanta Caves in the central Deccan are considered among the greatest and most powerful works of Indian art. The paintings in the cave represent the various lives of the Buddha, but also are the best source we have of the daily life in India at the time.
The Gupta established a strong central government which also allowed a degree of local control. Gupta society was ordered in accordance with Hindu beliefs. This included a strict caste system, or class system. The peace and prosperity created under Gupta leadership enabled the pursuit of scientific and artistic endeavors.
The Gupta Dynasty declined due to weak rulers and a series of invasions, but many of their cultural and intellectual achievements were saved and transmitted to other cultures and live on today. The Gupta period is considered something of a golden age, marked by great achievements in literature, music, art, architecture, and philosophy. Lui Kang wrote of beautiful cities, fine hospitals and universities, and described a content and prosperous people.
Main Gupta rulers
Ghatotkacha (c. 280–319) CE, had a son named Chandragupta. In a breakthrough deal, Chandragupta was married to Kumaradevi, a Lichchhavi—the main power in Magadha. With a dowry of the kingdom of Magadha (capital Pataliputra) and an alliance with the Lichchhavis, Chandragupta set about expanding his power, conquering much of Magadha, Prayaga and Saketa. He established a realm stretching from the Ganga (Ganga) river to Prayaga (modern-day Allahabad) by 320. Chandragupta was the first of the Guptas to be referred to as 'Maharajadhiraja' or 'King of Kings'.
Chandragupta died in 335 and was succeeded by his son Samudragupta, a tireless conqueror. He took the kingdoms of Shichchhatra and Padmavati early in his reign. He then took the Kingdom of Kota and attacked the tribes in Malvas, the Yaudheyas, the Arjunayanas, the Maduras and the Abhiras. By his death in 380, he had incorporated over twenty kingdoms into his realm, his rule extended from the Himalayas to the river Narmada and from the Brahmaputra to the Yamuna. He gave himself the titles King of Kings and World Monarch. He performed Ashwamedha yajna (horse sacrifice) to underline the importance of his conquest.
Samduragupta was not only a warrior but also a great patron of art and literature. The important scholars present in his court were Harishena, Vasubandhu and Asanga. He was a poet and musician himself. He was a firm believer in Hinduism and is known to have worshipped Lord Vishnu. He was considerate of other religions and allowed Sri Lanka's buddhist king to build a monastery at Bodh
He was succeeded by his son Ramagupta, who was captured by the Saka Satraps (Kshatrapas) and was soon succeeded by his brother Chandragupta II.
Chandragupta II, the Sun of Power (Vikramaditya), ruled until 413. He married his daughter Prabhavatigupta to Rudrasena II, the Vakataka king of Deccan, and gained a valuable ally. Only marginally less war-like than his father, he expanded his realm westwards, defeating the Saka Western Kshatrapas of Malwa, Gujarat and Saurashtra in a campaign lasting until 409, but with his main opponent Rudrasimha III defeated by 395, and crushing the Bengal (Vanga) chiefdoms. This extended his control from coast-to-coast, established a second (trading) capital at Ujjain and was the high point of the empire.
Despite the creation of the empire through war, the reign is remembered for its very influential style of Hindu art, literature, culture and science, especially during the reign of Chandra Gupta II. Some excellent works of Hindu art such as the panels at the Dashavatara Temple in Deogarh serve to illustrate the magnificence of Gupta art. Above all it was the synthesis of the sacred and sensual elements that gave Gupta art its distinctive flavour. During this period, the Guptas were supportive of thriving Buddhist and Jain cultures as well, and for this reason there is also a long history of non-Hindu Gupta period art. In particular, Gupta period Buddhist art was to be influential in most of East and Southeast Asia. Much of advances was recorded by the Chinese scholar and traveller
The court of Chandragupta was made even illustrious by the fact that it was graced by the navaratna, a group of nine who excelled in the literary arts. Amongst these men was the immortal Kalidasa whose works dwarfed the works of many other literary geniuses, not only in his own age but in the ages to come. Kalidasa was particularly known for his fine exploitation of the sringara (erotic) element in his verse.
Chandragupta II was succeeded by his son Kumaragupta I. Known as the Mahendraditya, he ruled until 455. Towards the end of his reign a tribe in the Narmada valley, the Pushyamitras, rose in power to threaten the empire.
Skandagupta is generally considered the last of the great rulers. He defeated the Pushyamitra threat, but then was faced with invading Hephthalites or "White Huns", known in India as Indo-Hephthalites or Hunas, from the northwest. He repulsed a Huna attack c. 455, But the expense of the wars drained the empire's resources and contributed to its decline. Skandagupta died in 467 and was succeeded by his son Narasimhagupta
The Imperial Guptas could not have achieved their successes through force of arms without an efficient martial system. Historically, the best accounts of this comes not from the Hindus themselves but from Chinese and Western observers. However, a contemporary Indian document, regarded as a military classic of the time, the Siva-Dhanur-veda, offers some insight into the military system of the Guptas. Like Indian kings before them, and centuries afterwards, the Guptas would have utilized war elephants. These thick hided beasts, supplemented by additional armour and the soldiers that they carried, would have provided a powerful offensive and psychological weapon against an unprepared foe. Another advantage was that they could cause the horses of enemy cavalry to panic from their scent, as the Macedonians discovered. However, their use carried the grave risk of the elephants panicking and stampeding, which more clever opponents used to their advantage.
The use of chariots had heavily declined by the time of the Guptas, having already proved their uselessness against the Macedonians, Scythians, and other invaders. In response, the Guptas seemed to have utilized heavy cavalry clad in mail armour and equipped with maces and lances, who would have used shock action to break the enemy line, much like the clibanarii of the Sassanids and Byzantines in the same era. It is unclear whether they were used to the extent of elephants.
The Guptas seem to have relied heavily on infantry archers, and the bow was one of the dominant weapons of their army. The Hindu version of the longbow was composed of metal, or more typically bamboo, and fired a long bamboo cane arrow with a metal head. Unlike the composite bows of Western and Central Asian foes, bows of this design would be less prone to warping in the damp and moist conditions often prevalent to the region. Iron shafts were used against armored elephants, and fire arrows were also part of the bowmen's arsenal. Archers were frequently protected by infantry equipped with shields, javelins, and
The Guptas also had knowledge of siegecraft, catapults, and other sophisticated war machines.
The Guptas apparently showed little predilection for using horse archers, despite the fact these warriors were a main component in the ranks of their Scythian, Parthian, and Hepthalite (Huna) enemies. However, the Gupta armies were probably better disciplined. Able commanders like Samudragupta and Chandragupta II would have likely understood the need for combined armed tactics and proper logistical organization. Gupta military success likely stemmed from the concerted use elephants, armored cavalry, and foot archers in tandem against both Hindu kingdoms and foreign armies invading from the Northwest. Guptas also maintained a navy, allowing them to control regional waters.
The collapse of the Gupta Empire in the face of the Huna onslaught was due not directly to the inherent defects of the Gupta army, which after all had initially defeated these barbarians under Skandagupta. More likely, internal dissolution sapped the ability of the Guptas to resist foreign invasion, as was simultenously occurring in Western Europe and China.
Huna invasions and the end of empire
Narasimhagupta (467-473) was followed by Kumaragupta II (473-476) and Buddhagupta (476-495?). In the 480's the Hephthalite king Toramana broke through the Gupta defenses in the northwest, and much of the empire was overrun by the Hunas by 500. The empire disintegrated under the attacks of Toramana and his successor, Mihirakula; the Hunas conquered several provinces of the empire, including Malwa, Gujarat, and Thanesar, broke away under the rule of local dynasties. It appears from inscriptions that the Guptas, although their power was much diminished, continued to resist the Hunas, and allied with the independent kingdoms to drive the Hunas from most of northern India by the 530's. The succession of the sixth-century Guptas is not entirely clear, but the last recognized ruler of the dynasty's main line was Vishnugupta, reigning from 540 to 550.
The Guptas of Magadha
A minor line of the Gupta clan continued to rule Magadha after the disintegration of the empire. These Guptas were ultimately ousted by the Vardhana king Harsha, who established an empire in the first half of the seventh century that, for a brief time, rivalled that of the Guptas in extent.
Arts during Guptas
Some of India's most magnificient works of art were produced during the Gupta era. The famous cave paintings at Ajanta, the Sarnath Buddha, the Deogarh Dashavatara Temple panels and the Udaygiri Varaha Cave are some marvellous products of the Gupta age. Also, during the Gupta Empire, metal work and various sculptures were made.
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